Studio News

Before there is paint, there is noticing. A reflection on the everyday objects, fleeting moments, and collected beauty that inspire my work.

The Image I Never Stopped Painting     Recently, I found myself thinking about a drawing I used to make over and over again as a child. A horizon line dividing the page. A small boat. The sea. The sky. Nothing extraordinary. In fact, it was almost painfully simple. But what struck me was realizing how often I returned to that same image throughout my life. I doodled it in notebooks. In the corners of school papers. On the notepad that sat beside my desk when I was a young secretary answering phones. Somehow, without thinking, I always returned to...

  We spend so much of our lives waiting. Waiting for something to mark the moment.A celebration.A milestone.A reason to say now this matters. We tell ourselves we’ll do it then—when the house is finished,when life slows down,when everything feels just right. But the truth is…life is happening now. Not in the grand, orchestrated moments we imagine.But in the ordinary days.The quiet mornings.The evenings that pass without announcement. It’s happening in the small choices—the way you set the table,the things you bring into your home,the moments you allow yourself to enjoy without justification. We’ve been taught, in subtle ways, to...

    There is something quietly powerful about the meeting of old and new. An antique frame—once surrounding a centuries-old portrait or landscape—now holding a contemporary abstract painting creates a dialogue across time. The result feels unexpected, sophisticated, and deeply expressive. In recent years, collectors have become increasingly drawn to abstract paintings set in antique European frames. The pairing offers the richness of history alongside the freedom and emotion of modern art. But the magic of these pieces is not accidental. When done well, the frame and the painting become inseparable.   Why Antique European Frames Work So Beautifully with...

  When I was an interior designer, I often described my work as approachable and well-appointed. I wanted rooms to feel layered and thoughtful, but never precious. Sophisticated, but comfortable enough to live in. I believe collecting art should feel the same way. Over the years, I’ve noticed that the most enduring collections are not built quickly. They are built slowly, piece by piece, through instinct and observation. A thoughtful collector does not chase trends. She pays attention to what lingers. The difference between decorative and collected is intention. Decorative art fills a wall. Collected art shapes a room. When...